Placed strategically at the merger of two pedestrian traffic paths the final concept is a sculpture like space that embodies the energy of the site, is enhanced through use, works with concepts of wabi sabi, and is an inspiring contemplative space for Hobbs to write haiku. The sculpture is created through the process of CNC consequently the surfaces are rough to begin with but are softened through the constant sitting, walking and brushing off by the pedestrians.
Formally, the shapes are inspired from the constant acceleration and deceleration that occurs within the site- the buses slowing down & speeding up, the flow of pedestrian traffic, the adjacent highway and parking lots… The public side of structure reflects these notions through the undulations of the bench. The shape is made of cedar an is also influenced due to ergonomics of seating.
The second structure is Hobb’s sanctuary. The volume is a negative of the public structure. Made of Corten steel, the surfaces erode and bleed on to the floor but unlike the wooden public structure the shape is maintained. This creates an interesting interplay between private and public. Transparent slits of openings on Hobb’s space allow him to view the public while contemplating as well as making the public aware of his presence.
